SIXCOLORS Art Tickles

Tent Pole Light Stands: More Details

Due to popular demand, Swedish photographer Peter Karlsson has created a more explanatory video on his tent pole light stand. They run about 1 lb. each, and pack very small and flat. They can be a good option for traveling interior/portrait shooters.

Got questions? Peter is answering them in the comments section of his blog post. Oh, and take a moment to look at his portfolio, too. It is all speedlight-driven.

Of his diminutive lights, Peter says, “clients sometimes look a little puzzled about their tinyness,” but hey, it gets the job done.

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Look For – And Light – The Details
I have said it before, and I will say it again: Always look for details when shooting your assignments. Beyond that, a little light goes a long way in cleaning those details up.

Last week I had an assignment to shoot these ladies who make Rosary beads (by the tens of thousands) to send to the troops deployed overseas. Visually, we are talking 20-25 people sitting around in a room stringing beads.

Not terrible, but not a lot of variety, either.

In a situation like this, I will typically set up my flash immediately in an umbrella and stick it in a corner somewhere. That way it’ll be ready to grab and use when I need it.

After shooting a few different angles of the ladies working with the beads, I wanted to grab a detail shot. This is when having the flash preset in an umbrella really helps.

As usual, no rocket science here. The shoot-through umbrella becomes a huge light source when positioned above and behind the strand of Rosary beads that I used as a detail. They were already sitting on the table. Didn’t move them or anything.

The light from the umbrella becomes a huge specular highlight reflected in the black cross, which provides a nice tonal contrast to the Jesus figure depicted on it. And the beads reflect the large highlight, which reveals their shape in the photo.

As an added bennie, I can now work at f/16 – a crucial difference, compared to f/2.8 when working in the macro range.

As you can see here, both the quality of light and the depth of field suffer when the same shot is taken without the off-camera flash.

This shot will not win any awards, no matter which way it is shot. But lit, it gives the designer a strong, graphic detail with which to work. In a pinch, they might even design the page around the lit detail and use a shot of the ladies working as the smaller photo.

It’s important to remember that the payoff to using light consistently is that the it raises your quality level throughout the entire range of the pictures that you are called upon to produce. Which is a good thing.

NEXT: Spring Arts Guide

Orbis Ring Flash Adapter Details

An email from Enlight Photo dropped into my box tonight with some fresh detail on the upcoming Orbis Ring Flash adapter. It’s similar in function (if not design) to the Ray Flash adapter, with some key differences:

• The flash is mounted off-camera, similar to many of the DIY designs we have seen.

• From the light source reflections in some of the test shots on the updated website, it appears to be a little softer (bigger) light source than the Ray Flash.

• Price is said to be “under $ 200″.

• No word on efficiency, relative to direct flash. (Ray Flash is minus just one stop compared to direct flash.)

More info, email list sign up, pre-sale info, etc. — here.

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